<p><strong>(Iliad/Capitol)<br></strong>On his first album in seven years, Beck keeps the quality control extremely high as he surveys mid-50s malaise in the wake of divorce</p><p>The last time Beck released an album it was 2019 and the singer-songwriter found himself in a strange and unenviable position. In some quarte

<p><strong>(Iliad/Capitol)<br></strong>On his first album in seven years, Beck keeps the quality control extremely high as he surveys mid-50s malaise in the wake of divorce</p><p>The last time Beck released an album it was 2019 and the singer-songwriter found himself in a strange and unenviable position. In some quarters, the arrival of Hyperspace was eagerly anticipated precisely because his personal life was in turmoil. Nine months before its release, his 15-year marriage to actor Marissa Ribisi had ended in divorce, an experience he understandably described as heartbreaking. Unfortunately for him, there exists a pervasive argument that Beck’s greatest work is born out of misery.</p><p>His beloved 2002 album Sea Change featured a set of disconsolate acoustic songs written in the wake of a break-up with his long-term girlfriend Leigh Limon that Beck had initially thought were too personal for public consumption. They were certainly very different from the knowing, postmodern approach with which he’d made his name, but no matter: Sea Change went on to become a huge critical and commercial success. It wasn’t entirely clear what prompted the gloomy mood of 2014’s Morning Phase, but it very much seemed to be cut from similar musical and lyrical cloth. Some critics suggested it was the best album of his career; it subsequently won three Grammys, including album of the year. Given the circumstances, there was much pre-release speculation that Hyperspace would be a companion piece.</p> <a href="https://www.theguardian.com/music/2026/sep/14/beck-ride-lonesome-review-stunning-end-to-the-heartache-trilogy-of-sea-change-and-morning-phase">Continue reading...</a>